street party
pending further contact from the school, I think we need to be prepared for the possibility that we only have the space for the weekend, not all week. in this case it might be worth thinking about organising some kind of event to go alongside/celebrate our project (rooftop allotment).
taking my cue from the location and the fact that this is jubilee year I'm thinking of a street-in-the-sky party. it is also the 40th anniversary of the completion of the (soon to be demolished) robin hood gardens estate in poplar, designed by the smithsons - the originators of the whole streets-in the-sky concept:
combining the idea of a rooftop allotment with the smithsons' streets-in-the-sky would seem to lead directly to this, the new york high line - another project all about finding new uses for dead inner-city spaces while also inserting much needed greenery into the urban fabric:
(see also le coulee vert/promenade plantee)
finally, if we did choose to go down this route, and particularly if the school is against the idea of building a permanent structure on the roof, then we might be able to use the bunting+balloons+streamers+etc to delineate a kind of temporary enclosure and create a self-contained space of the roof:
as you can see, I'm thinking of something nice and kitch, all 1970's and vicky sponge
We are interested not just in material and energy efficiency, but also in efficiencies of space – perhaps the most precious resource in cities. We wish to investigate how underutilized inner city spaces can be transformed to fully exploit this resource.
Enclosure - Concept Sketches
Correspondance with the local school
From: Alix Ascough
[mailto:head@allsoulsprimary.co.uk]
Sent: 25 January 2012 11:44
To: Michael Emmerson
Subject: RE: The London Festival of Architecture
Dear Michael,
Please Note:
Mrs Kirsty Shabani is currently the Acting Deputy Headteacher and can be contacted on deputy@allsoulsprimary.co.uk as Claire Cleverton is on maternity leave.
Mrs Maria Wong is now Acting SENco/senior teacher and can be contacted on mwong@allsoulsprimary.co.uk
To: Alix Ascough
Subject: FW: The London Festival of Architecture
From: Michael Emmerson [mailto:Michael.Emmerson@ramboll.co.uk]
Sent: 24 January 2012 11:31
To: Theresa Brady
Subject: The London Festival of Architecture
Graduate Services Engineer
London Building Services
T +44 (0)20 7631 5291
Michael.Emmerson@ramboll.co.uk
Sent: 25 January 2012 11:44
To: Michael Emmerson
Subject: RE: The London Festival of Architecture
Dear Michael,
We are very much interested in the project. I will
spend a couple of days thinking about the logistics of the project and will be
in touch towards the beginning of next week.
Thank you for expressing an interest in working
with our school
Regards,
Alix
Miss Alix Ascough, Headteacher, All Souls CE
Primary School, 020 7641 4707,
Please Note:
Mrs Kirsty Shabani is currently the Acting Deputy Headteacher and can be contacted on deputy@allsoulsprimary.co.uk as Claire Cleverton is on maternity leave.
Mrs Maria Wong is now Acting SENco/senior teacher and can be contacted on mwong@allsoulsprimary.co.uk
From: Theresa Brady
Sent: 25 January 2012 11:29To: Alix Ascough
Subject: FW: The London Festival of Architecture
From: Michael Emmerson [mailto:Michael.Emmerson@ramboll.co.uk]
Sent: 24 January 2012 11:31
To: Theresa Brady
Subject: The London Festival of Architecture
Dear Sir/Madam,
My name is Michael Emmerson, and I am writing to
you on behalf of 4 design engineers working nearby at Ramboll UK to bring to
your attention an upcoming event called the London Festival of Architecture. I
spoke to a colleague earlier who suggested this email as the best way to get in
touch, and hope that you have 5 minutes to consider this proposal.
The London Festival of Architecture is a bi-annual
event taking place across London but with a focus on the local area, and
celebrates intelligent architecture in the community around the city. This year
the main design focus is recycling and reuse, the expression of which is to fit
around the theme of “The Playful City” in reference to the upcoming London
Olympics. This is a great opportunity to educate about a serious problem in a
fun and active way, and we would love the chance to get involved in
collaboration with a local organisation such as your school.
The All Souls Primary is perfectly placed to help
make an impact by providing access to the attentions of the next generation of
Londoners, both within your school and amongst visitors. What we would love to
achieve is a collaborative effort combining our engineering ideas and skills
with input from your students to produce a series of interactive exhibits that
the students and general public alike will enjoy whilst highlighting the
underlying issues. This promises to be a great event, and one that should reach
a wide range of people to enhance awareness of sustainability in a fun and
engaging way, especially in your own students if involved in the preparation.
The event is held between the 23rd of June and the
8th of July, and in an ideal world we would love to present for a whole
weekend, although fitting in around the school’s commitments is a priority. Is
this something that you might be interested in? If you have any questions don’t
hesitate to give me, or James Clay, Niall Flynn, Edward Boase, Robert Ferris, a
call on the numbers below or alternatively get in touch via email and we will
be happy to share with you some ideas we already have for this project.
I look forward to hearing from you.
Kind regards
Michael Emmerson
MEngGraduate Services Engineer
London Building Services
T +44 (0)20 7631 5291
Michael.Emmerson@ramboll.co.uk
History
of LFA
2004-The
London Festival of Architecture started out in 2004 as the London Architecture
Biennale-Clerkenwell area. 15000 people turned out for the opening event -St
John Street when a herd of long horn cows were driven down to Smithfield market
to recreate the movement of livestock that occurred there until the 17th
century
2006-Events
were held along a route linking Borough, south of the River Thames, with Kings
Cross in the north. The theme-highlighted the impact of the construction of the
new bridge on the economy and the planning of the area around Bankside and St
Paul’s cathedral. This included a range of exhibitions, open studios, walks,
tours and bicycle rides.
2008-Actvities
across five key areas or ‘Hubs’, with largescale public events taking place in
a different Hub each weekend. Each of the Hubs covered an area with a very
different character - historic, present and future – and full of different
institutions and activities. Typical past activities include exhibitions,
lectures, walks, talks, bike rides, installations, temporary structures and
tours of historic buildings. Events range from exhibitions of work by
architects from around the world, to local visits to buildings of architectural
interest.
2010-The Architecture Foundation was proud to deliver
the London Festival of Architecture 2010 in partnership with RIBA London and
New London Architecture. The Festival, running from 19 June to 4 July, was a
city-wide celebration of architecture in the capital. As London gears up for the
London 2012 Olympic and Paralympic Games the Festival looked at ways that
planners, architects, clients and local communities play their part in the
development of 'The Welcoming City'. LFA2010 had three weekends over which
visitors were encouraged to explore three key areas of London, namely; the Nash
Ramblas, Bankside Urban Forest and High Street 2012.
LFA
2012
Curated
by RIBA London, the Architecture Foundation, New London Architecture and the
British Council, LFA2012 will take place over three weekends across three
London hubs:
- City and Southwark (23rd /24th June)
- Fitzrovia and Bloomsbury (30th June /1st July)
- Kings Cross and Hoxton and Royal Docks (7th/8th July)
The
theme for LFA 2012 will be ‘The Playful City’, proposing ways in which both
Londoners and visitors can be active participants in the city. From
reinterpreting familiar places through new installations and animations,
redesigning public spaces to encourage physical fitness in the spirit of the
Olympic Games, to testing interactive forms of consultation and planning for
future urban development, festival participants will be encouraged to play in,
and play with, the city around them.
The Oikos Project
2010
Oikos
is ancient Greek for house
and the root word of economy
and ecology.
Embracing these principles, An exciting theatre project was embarked upon,
combining a unique mix of public-made art, architecture and performance that
explored how a new sustainable society could flourish in a world altered by
climate change.
A Southwark playground was built in
the heart of London, where award-winning Berlin-based architects Köbberling and Kaltwasser
worked alongside volunteers to create The
Jellyfish Theatre, the UK’s first fully-functioning theatre
made entirely from recycled and reclaimed materials (see below).
Focussing on energy-efficiency,
co-operation and human-scale construction, The Jellyfish was open to the public
as an exhibition space.
With climate change already impacting
on our lives, The Red Room commissioned
leading playwrights,
Kay Adshead and Simon
Wu, to examine ways our society may adapt for survival in two
urgent and inspiring plays written specially to be performed in this unique
venue.
Materials for this
project were provided by Diamond Waste – and the option of using them is open
to us.
The following is a list
of materials actually used in 2010: Timber,
windows, doors, nails, screws, bolts, recycled chairs, benches, stand seats
from football stadia, roof material, tarpaulin, metal beams and skips.
enclosure
I've been thinking about what our options are if the school likes the idea of enclosing the roof in some sort of enclosure
i) permanent or retractable? for now I think we should assume the latter as not only is this more onerous for us but is much more likely to get the ok from the school. also, the idea of a retractable enclosure fits much better with our aim of finding supplementary, not alternative, uses for the roof (we don't want to replace one space with another, but to add to it).
ii) how retractable? should the whole structure be movable (difficult) or should we looking at having a permanent skeleton with a retractable cover (see frank's cafe in previous blog)? again, I think the latter (primarily for reasons of feasibility and likelihood of approval, but also because I like the idea of the skeleton defining/delineating the volume even when the roof is fully uncovered.
iii) materials. wood would be a good place to start w.r.t. the skeleton for obvious reasons (sustainability, the idea of a roof garden/allotment, public acceptability, etc.) but this doesn't mean that we should be blind to other options, particularly if we could source some good stuff from the recycling people Niall spoke to... for the fabric, I would be very interested in using scaffold wrap (the white plasticy stuff they put around building sites, see berner's street hotel)
there's a building on trafalgar square that's currently being refurbished with the top two storeys clad in this material and it gives the building a kind of milky, ethereal appearance and feeling of weightlessness (esp. at night when it's lit up from inside and glows softly). actually, it's not unlike the new effect that SANAA did in new york (below) or that OMA were going for with the Rothschild's building. people generally consider building sites to be eyesores, but to my mind they often provide a lot of interest and dynamism to the urban environment (certainly skyscrapers often look better before the glass is added) and it'd be great if we could convey this.
iv) form. difficult to talk about this without the aid of sketches but I don't have a scanner at home so will just have to add these later. am currently in two minds on this one:
a. curved edgeless bubble (perhaps even a blown up polytunnel considering our aim of creating a rooftop allotment - this links in quite well with the idea of using scaffold wrap), making a clear contrast to the building below while at the same time being quite soft and unobtrusive. the trouble with this option is that it wouldn't really work in this way when the canopy is retracted - it is essentially dependent of the fabric. shigeru ban is a good point of reference for this kind of thing ( = joseph paxton + polytunnel):
b. to go for a sharp rectilinear skeleton, keeping the structure and the canopy/wrap very distinct.
as I said, this doesn't really work without sketches, so I'll have to come back to this. I suggest that this is something that we should all look at together
I've been thinking about what our options are if the school likes the idea of enclosing the roof in some sort of enclosure
i) permanent or retractable? for now I think we should assume the latter as not only is this more onerous for us but is much more likely to get the ok from the school. also, the idea of a retractable enclosure fits much better with our aim of finding supplementary, not alternative, uses for the roof (we don't want to replace one space with another, but to add to it).
ii) how retractable? should the whole structure be movable (difficult) or should we looking at having a permanent skeleton with a retractable cover (see frank's cafe in previous blog)? again, I think the latter (primarily for reasons of feasibility and likelihood of approval, but also because I like the idea of the skeleton defining/delineating the volume even when the roof is fully uncovered.
iii) materials. wood would be a good place to start w.r.t. the skeleton for obvious reasons (sustainability, the idea of a roof garden/allotment, public acceptability, etc.) but this doesn't mean that we should be blind to other options, particularly if we could source some good stuff from the recycling people Niall spoke to... for the fabric, I would be very interested in using scaffold wrap (the white plasticy stuff they put around building sites, see berner's street hotel)
there's a building on trafalgar square that's currently being refurbished with the top two storeys clad in this material and it gives the building a kind of milky, ethereal appearance and feeling of weightlessness (esp. at night when it's lit up from inside and glows softly). actually, it's not unlike the new effect that SANAA did in new york (below) or that OMA were going for with the Rothschild's building. people generally consider building sites to be eyesores, but to my mind they often provide a lot of interest and dynamism to the urban environment (certainly skyscrapers often look better before the glass is added) and it'd be great if we could convey this.
iv) form. difficult to talk about this without the aid of sketches but I don't have a scanner at home so will just have to add these later. am currently in two minds on this one:
a. curved edgeless bubble (perhaps even a blown up polytunnel considering our aim of creating a rooftop allotment - this links in quite well with the idea of using scaffold wrap), making a clear contrast to the building below while at the same time being quite soft and unobtrusive. the trouble with this option is that it wouldn't really work in this way when the canopy is retracted - it is essentially dependent of the fabric. shigeru ban is a good point of reference for this kind of thing ( = joseph paxton + polytunnel):
b. to go for a sharp rectilinear skeleton, keeping the structure and the canopy/wrap very distinct.
as I said, this doesn't really work without sketches, so I'll have to come back to this. I suggest that this is something that we should all look at together
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